The University of North Carolina School of the Arts is the first state-supported, residential school of its kind in the nation. Established as the North Carolina School of the Arts by the N.C. General Assembly in 1963, UNCSA opened in Winston-Salem (“The City of the Arts”) in 1965 and became part of the University of North Carolina system in 1972. More than 1,100 students from middle school through graduate school train for careers in the arts in five professional schools: Dance, Design and Production (including a Visual Arts Program), Drama, Filmmaking, and Music. UNCSA is the state’s only public arts conservatory, dedicated entirely to the professional training of talented students in the performing, visual and moving image arts.
New clarinet faculty artist Oskar Espina-Ruiz and guests Benjamin Hochman, piano, and Elizabeth Pacheco Rose, soprano, perform Romantic masterpieces by Schumann, Schubert and Brahms; Saint-Saëns’ Romance; a late Romantic clarinet sonata by Argentinean composer Carlos Guastavino; and a world premiere for solo clarinet by a UNCSA composition student.
Student ensembles perform traditional and contemporary chamber works featuring trios and quartets that celebrate the student talent of the UNCSA School of Music.
This wildly theatrical musical kicks off when the Music Hall Royale (a loony Victorian troupe) “puts on” its flamboyant rendition of an unfinished Dickens mystery. The playfulness of this play-within-a-play draws the audience toward one of Drood’s most talked-about features, which allows the audience to vote on the solution as prelude to its unusual and hilarious finale!
Directed by John Langs and featuring members of Studio 4.
Guest pianist Benjamin Hochman explores a variety of character pieces from four centuries through solo piano works by Beethoven, Gyorgy Kurtag, Bartók, Peter Lieberson and Schumann’s beloved "Carnaval."
The UNCSA Symphony performs a short program of new works by composition students of Lawrence Dillon, Kenneth Frazelle and Michael Rothkopf. The performance will include insights into the creative process, as the students describe their compositional decisions and aspirations.
Oboe faculty member Robin Driscoll will perform a recital of oboe favorites, including the beautifully bold yet introspective Poulenc Oboe Sonata and many other goodies.
UNCSA string chair Kevin Lawrence and newly appointed faculty pianist Dmitri Shteinberg have been performing together since 2004. Now the duo will present violin sonatas by Mozart and Copland, a rarely heard work by Henry Cowell, and the sublime "C Major Fantasy" of Franz Schubert.
Student ensembles perform traditional and contemporary chamber works featuring trios and quartets that celebrate the student talent of the UNCSA School of Music.
This wildly theatrical musical kicks off when the Music Hall Royale (a loony Victorian troupe) “puts on” its flamboyant rendition of an unfinished Dickens mystery. The playfulness of this play-within-a-play draws the audience toward one of Drood’s most talked-about features, which allows the audience to vote on the solution as prelude to its unusual and hilarious finale!
Directed by John Langs and featuring members of Studio 4.
UNCSA dancers will perform with company-in-residence Hubbard Street 2 in a world premiere by choreographic competition winner Maurya Kerr. Also on the program are "Valse-Fantaisie" by George Balanchine, Act III from Swan Lake and a new work by Interim Dance Dean Brenda Daniels.
Directed by Matt Cowart / Featuring members of Studio 3
Nobel Prize-winner John Steinbeck’s profound stage adaptation of his novel by the same name tells the tragic story of Lennie and George, two displaced migrant workers in depression-era California.
The UNCSA woodwind faculty presents a concert of classic French repertoire by Debussy and friends in celebration of the 150th anniversary of the composer’s birth. The concert will include Debussy’s Syrinx for solo flute, Première Rhapsodie for clarinet and piano, Rhapsodie for saxophone and piano and other works by French composers from the early 20th century. Performers include Tadeu Coelho, flute; Robin Driscoll, oboe; Saxton Rose, bassoon; Oskar Espina-Ruiz, clarinet;...
The award-winning UNCSA Jazz Ensemble, directed by Ron Rudkin, will perform a program offering an extensive range of big band jazz styles, including traditional swing, Latin, fusion and contemporary. The performance will feature the group’s most talented jazz soloists and highlight different sections of the band.
Trumpet students of Judith Saxton perform music ranging from jazz to pop to classical tunes in duets, trios, quartets, quintets and trumpet ensembles featuring flugelhorns, cornets and high-pitched D/Eb and piccolo trumpets. Come experience the versatility of the soprano voice of the brass instruments.
Violinist Sarah Johnson is joined by pianist Stephen Buck in an evening devoted to the music of Scandinavia. The heart-warming, intimate works of Grieg, Sibelius, and Ole Bull contrast with the more shimmering textures of Kaija Saariaho and the eclecticism of Magnus Lindberg.
Guitar faculty artist Joseph Pecoraro will perform recent works by U.S. composers, at once colorful and accessible, that inspire and recall the dreams of the land from which they hail. These include works by composers Sebastian Currier, Barbara Kolb, Jose Lezcano, Andrew Zohn and others.
Pecoraro will be joined by UNCSA faculty artists Tadeu Coelho, flute, and Joseph Genualdi, violin.
Trombone students from the studio of John Ilika demonstrate solo and ensemble skills in a concert setting, featuring a combination of solo, trio, quartet and larger ensemble works.
Guest composer Robert Yekovich, former dean of music, joins faculty composer Michael Rothkopf in a concert of premieres featuring the new sound worlds available through the combination of innovative technology and virtuosic new music performers. The program will feature UNCSA faculty as well as pianist Aleck Karis and clarinetist Allen Blustine from Speculum Musicae and double bassist Timothy Pitts from the Shepherd School of Music.
New UNCSA piano faculty member Dmitri Shteinberg presents a program that focuses on German and Russian music and includes choral preludes by Bach; Beethoven’s Sonata Op. 31/2 in D Minor, “Tempest”; Schubert’s C Minor Impromptu; Sonata No. 2 in B Minor by Shostakovich; and Etudes-Tableaux by Rachmaninoff.
Directed by Gerald Freedman / Musical Direction by John Mauceri / Featuring members of Studio 4
Shakespeare’s most spirited and sophisticated battle of the sexes is set to the American premiere of Erich Wolfgang Korngold’s 1920 incidental score, originally commissioned for the Vienna Burgtheater in 1918.
Join UNCSA in celebrating the Percussive Arts Society’s (PAS) NC Day of Percussion. Concerts scheduled throughout the day will feature percussion ensembles from North Carolina and clinics by guest artists. Visit http://community.pas.org/PAS/NorthCarolina/Home/ for a full schedule of events.
This stage adaptation of Sinclair Lewis’s masterful satiric novel of early 20th-century American life introduces George Babbitt, a prosperous partner at a real estate firm in the fictitious town of Zenith. In a vivid commentary on the “Roaring 20s,” themes such as commercialism, materialism, greed and conformity reflect on American culture in the 21st century. The play is directed by John Dillon and features members of Studio 3.
Directed by Gerald Freedman / Musical Direction by John Mauceri / Featuring members of Studio 4
Shakespeare’s most spirited and sophisticated battle of the sexes is set to the American premiere of Erich Wolfgang Korngold’s 1920 incidental score, originally commissioned for the Vienna Burgtheater in 1918.
This stage adaptation of Sinclair Lewis’s masterful satiric novel of early 20th-century American life introduces George Babbitt, a prosperous partner at a real estate firm in the fictitious town of Zenith. In a vivid commentary on the “Roaring 20s,” themes such as commercialism, materialism, greed and conformity reflect on American culture in the 21st century. The production is directed by John Dillon and features members of Studio 3.
As one of the Southeast’s premier film festivals, RiverRun features the screenings of new, independent and foreign-language films from around the world. For ticket prices and more information, visit http://www.riverrunfilm.com.
James Allbritten, music director; Steven LaCosse, stage director; Angela Vanstory Ward, pianist; and Mary Ann Bills, pianist. Fellows from the Fletcher Opera Institute join the undergraduate Opera Workshop to perform scenes from the repertory.
Spring Dance will include performances of Act II of Swan Lake with Chancellor John Mauceri conducting the UNCSA Symphony Orchestra; Beach Birds by Merce Cunningham; The Unsung by José Limón, and Kingdom by Larry Keigwin.
Gramophone magazine praised pianist Richard Goode’s recital as “thrilling from first to last.” Join us as he presents a program of Chopin and Schumann, including his much beloved Kreisleriana, in this fund-raising recital for the School of Music.
The award-winning UNCSA Jazz Ensemble, directed by Ron Rudkin, will perform a program offering an extensive range of big band jazz styles, including traditional swing, Latin, fusion and contemporary. The performance will feature the group’s most talented jazz soloists and highlight different sections of the band.
Friends and students of Joseph Pecoraro will perform music from Africa, Australia and Latin America. The sultry sounds of the southern hemisphere will sail from the six-stringed cyclops with sublime sonority.
A Russian Spectacular brings the UNCSA Symphony Orchestra season to a rousing finale. Tchaikovsky’s last and greatest masterpiece, his Symphony No. 6, The Pathétique will be followed by Moussorgky’s beloved Pictures at an Exhibition in the glorious epic orchestration of Leopold Stokowski. Chancellor John Mauceri conducts.
New clarinet faculty artist Oskar Espina-Ruiz and guests Benjamin Hochman, piano, and Elizabeth Pacheco Rose, soprano, perform Romantic masterpieces by Schumann, Schubert and Brahms; Saint-Saëns’ Romance; a late Romantic clarinet sonata by Argentinean composer Carlos Guastavino; and a world premiere for solo clarinet by a UNCSA composition student.
Student ensembles perform traditional and contemporary chamber works featuring trios and quartets that celebrate the student talent of the UNCSA School of Music.
This wildly theatrical musical kicks off when the Music Hall Royale (a loony Victorian troupe) “puts on” its flamboyant rendition of an unfinished Dickens mystery. The playfulness of this play-within-a-play draws the audience toward one of Drood’s most talked-about features, which allows the audience to vote on the solution as prelude to its unusual and hilarious finale!
Directed by John Langs and featuring members of Studio 4.
Guest pianist Benjamin Hochman explores a variety of character pieces from four centuries through solo piano works by Beethoven, Gyorgy Kurtag, Bartók, Peter Lieberson and Schumann’s beloved "Carnaval."
The UNCSA Symphony performs a short program of new works by composition students of Lawrence Dillon, Kenneth Frazelle and Michael Rothkopf. The performance will include insights into the creative process, as the students describe their compositional decisions and aspirations.
Oboe faculty member Robin Driscoll will perform a recital of oboe favorites, including the beautifully bold yet introspective Poulenc Oboe Sonata and many other goodies.
UNCSA string chair Kevin Lawrence and newly appointed faculty pianist Dmitri Shteinberg have been performing together since 2004. Now the duo will present violin sonatas by Mozart and Copland, a rarely heard work by Henry Cowell, and the sublime "C Major Fantasy" of Franz Schubert.
Student ensembles perform traditional and contemporary chamber works featuring trios and quartets that celebrate the student talent of the UNCSA School of Music.
This wildly theatrical musical kicks off when the Music Hall Royale (a loony Victorian troupe) “puts on” its flamboyant rendition of an unfinished Dickens mystery. The playfulness of this play-within-a-play draws the audience toward one of Drood’s most talked-about features, which allows the audience to vote on the solution as prelude to its unusual and hilarious finale!
Directed by John Langs and featuring members of Studio 4.
UNCSA dancers will perform with company-in-residence Hubbard Street 2 in a world premiere by choreographic competition winner Maurya Kerr. Also on the program are "Valse-Fantaisie" by George Balanchine, Act III from Swan Lake and a new work by Interim Dance Dean Brenda Daniels.
Directed by Matt Cowart / Featuring members of Studio 3
Nobel Prize-winner John Steinbeck’s profound stage adaptation of his novel by the same name tells the tragic story of Lennie and George, two displaced migrant workers in depression-era California.
The UNCSA woodwind faculty presents a concert of classic French repertoire by Debussy and friends in celebration of the 150th anniversary of the composer’s birth. The concert will include Debussy’s Syrinx for solo flute, Première Rhapsodie for clarinet and piano, Rhapsodie for saxophone and piano and other works by French composers from the early 20th century. Performers include Tadeu Coelho, flute; Robin Driscoll, oboe; Saxton Rose, bassoon; Oskar Espina-Ruiz, clarinet;...
The award-winning UNCSA Jazz Ensemble, directed by Ron Rudkin, will perform a program offering an extensive range of big band jazz styles, including traditional swing, Latin, fusion and contemporary. The performance will feature the group’s most talented jazz soloists and highlight different sections of the band.
Trumpet students of Judith Saxton perform music ranging from jazz to pop to classical tunes in duets, trios, quartets, quintets and trumpet ensembles featuring flugelhorns, cornets and high-pitched D/Eb and piccolo trumpets. Come experience the versatility of the soprano voice of the brass instruments.
Violinist Sarah Johnson is joined by pianist Stephen Buck in an evening devoted to the music of Scandinavia. The heart-warming, intimate works of Grieg, Sibelius, and Ole Bull contrast with the more shimmering textures of Kaija Saariaho and the eclecticism of Magnus Lindberg.
Guitar faculty artist Joseph Pecoraro will perform recent works by U.S. composers, at once colorful and accessible, that inspire and recall the dreams of the land from which they hail. These include works by composers Sebastian Currier, Barbara Kolb, Jose Lezcano, Andrew Zohn and others.
Pecoraro will be joined by UNCSA faculty artists Tadeu Coelho, flute, and Joseph Genualdi, violin.
Trombone students from the studio of John Ilika demonstrate solo and ensemble skills in a concert setting, featuring a combination of solo, trio, quartet and larger ensemble works.
Guest composer Robert Yekovich, former dean of music, joins faculty composer Michael Rothkopf in a concert of premieres featuring the new sound worlds available through the combination of innovative technology and virtuosic new music performers. The program will feature UNCSA faculty as well as pianist Aleck Karis and clarinetist Allen Blustine from Speculum Musicae and double bassist Timothy Pitts from the Shepherd School of Music.
New UNCSA piano faculty member Dmitri Shteinberg presents a program that focuses on German and Russian music and includes choral preludes by Bach; Beethoven’s Sonata Op. 31/2 in D Minor, “Tempest”; Schubert’s C Minor Impromptu; Sonata No. 2 in B Minor by Shostakovich; and Etudes-Tableaux by Rachmaninoff.
Directed by Gerald Freedman / Musical Direction by John Mauceri / Featuring members of Studio 4
Shakespeare’s most spirited and sophisticated battle of the sexes is set to the American premiere of Erich Wolfgang Korngold’s 1920 incidental score, originally commissioned for the Vienna Burgtheater in 1918.
Join UNCSA in celebrating the Percussive Arts Society’s (PAS) NC Day of Percussion. Concerts scheduled throughout the day will feature percussion ensembles from North Carolina and clinics by guest artists. Visit http://community.pas.org/PAS/NorthCarolina/Home/ for a full schedule of events.
This stage adaptation of Sinclair Lewis’s masterful satiric novel of early 20th-century American life introduces George Babbitt, a prosperous partner at a real estate firm in the fictitious town of Zenith. In a vivid commentary on the “Roaring 20s,” themes such as commercialism, materialism, greed and conformity reflect on American culture in the 21st century. The play is directed by John Dillon and features members of Studio 3.
Directed by Gerald Freedman / Musical Direction by John Mauceri / Featuring members of Studio 4
Shakespeare’s most spirited and sophisticated battle of the sexes is set to the American premiere of Erich Wolfgang Korngold’s 1920 incidental score, originally commissioned for the Vienna Burgtheater in 1918.
This stage adaptation of Sinclair Lewis’s masterful satiric novel of early 20th-century American life introduces George Babbitt, a prosperous partner at a real estate firm in the fictitious town of Zenith. In a vivid commentary on the “Roaring 20s,” themes such as commercialism, materialism, greed and conformity reflect on American culture in the 21st century. The production is directed by John Dillon and features members of Studio 3.
As one of the Southeast’s premier film festivals, RiverRun features the screenings of new, independent and foreign-language films from around the world. For ticket prices and more information, visit http://www.riverrunfilm.com.
James Allbritten, music director; Steven LaCosse, stage director; Angela Vanstory Ward, pianist; and Mary Ann Bills, pianist. Fellows from the Fletcher Opera Institute join the undergraduate Opera Workshop to perform scenes from the repertory.
Spring Dance will include performances of Act II of Swan Lake with Chancellor John Mauceri conducting the UNCSA Symphony Orchestra; Beach Birds by Merce Cunningham; The Unsung by José Limón, and Kingdom by Larry Keigwin.
Gramophone magazine praised pianist Richard Goode’s recital as “thrilling from first to last.” Join us as he presents a program of Chopin and Schumann, including his much beloved Kreisleriana, in this fund-raising recital for the School of Music.
The award-winning UNCSA Jazz Ensemble, directed by Ron Rudkin, will perform a program offering an extensive range of big band jazz styles, including traditional swing, Latin, fusion and contemporary. The performance will feature the group’s most talented jazz soloists and highlight different sections of the band.
Friends and students of Joseph Pecoraro will perform music from Africa, Australia and Latin America. The sultry sounds of the southern hemisphere will sail from the six-stringed cyclops with sublime sonority.
A Russian Spectacular brings the UNCSA Symphony Orchestra season to a rousing finale. Tchaikovsky’s last and greatest masterpiece, his Symphony No. 6, The Pathétique will be followed by Moussorgky’s beloved Pictures at an Exhibition in the glorious epic orchestration of Leopold Stokowski. Chancellor John Mauceri conducts.
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Member Reviews
Member Reviews
Event Name: A.J. Fletcher Opera Institute: 'Maria Stuarda' (Mary Stuart) "Outstanding production" Review
posted by:
Bill Ward
from Winston-Salem, NC,
Feb 16, 2010
Maria Stuarda was spendidly presented at the Stevens Center. Being a Bel Canto opera, it is rare to hear this piece sung. The two queens were wonderfully cast and sang the roles with great command....
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Maria Stuarda was spendidly presented at the Stevens Center. Being a Bel Canto opera, it is rare to hear this piece sung. The two queens were wonderfully cast and sang the roles with great command. Other characters were strong as well. Set design and costuming were first rate. It was world class opera in a student setting. One forgets that the Fletcher is a learning facility. Awesome performance. Bravo.
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